Mother's House & Library

CULTURAL
Mother's  House & Library
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Project Name: The Mother's House (Home in The Skin)
Pr
oject Location: Dongshi Town, Jinjiang, Fujian Province
Architecture/Interior/Landscape Design: Horizontal Design

 

Chief Designer: Ju Bing
Lead Architects: He Bin, Zhou Zhimin
Interior Designer: Pan Qinchao
On-site Designers: Zhou Yuxin, Qian Zilong, Zhang Wenxin
Architecture Design Team: Zhou Yuxin, Qian Zilong, Zhang Jiajia, Xu Chuhan, Zhang Jia, Liang Guiyuan
Interior Design Team: Zhang Wenxin, Lei Xingyue, Yan Zeren, Luo Qiong, Liu Xiaolin
Technical Design Team: Deng Shuyu, Li Shihui, Nie Hongming, Hu Kai, Xie Gang, Li Junhua, Lin Jianxu, Gao Quncha, Wang Ning

 

Client: Cai Chongda
Construction Company: Fujian Huaye Jiangyi Decoration Design Engineering Co., Ltd.
Geotechnical Company: Lei Zhi Design Group Co., Ltd.Structure: Frame-Shear Wall Structure
Materials: Exposed Concrete, Terrazzo, Water-washed Stone, Wood, Red Brick

 

Project Area: 700㎡
Design Period: 02/2019 - 05/2019
Construction Period: 05/2019 - 01/2020
Photography: Liu Wenyi

 

Special Thanks (In no particular order):
Huaye Jiangyi, Nippon Paint, Tengge Flooring, Hengjie Sanitary Ware, Rinnai Water Heaters, Fotile Kitchen Appliances, Hete Ceramics, Aisifi Smart Technology, Nobel Tiles, PerDormire Mattresses, Mumei Furniture, Yanyi Lighting, Shenzhen Excellent Air Conditioning, Moser Windows

The Mother's House is located in Jinjiang Dongshi Town, Fujian Province, where a rich Minnan culture surrounds the entire town. The owner of the house is a well-known Chinese writer, Mr. Chongda Cai. His book Pinang (No More Than Skins)conveys sincere emotions toward his parents and hometown, and the most important chapter of the book—Mother's House—describes a story related to this project.


We hope that the renovated house can restore the original relationship between nature and the region, reconstruct the function of the space, and influence the relationships between people and between houses. On this basis, we aim to provide new ideas and possibilities for lifestyle.


Due to the rapid economic development and urbanization in this city, the houses here have formed a typical phenomenon in Chinese towns, known as the "handshake building," where buildings are closely connected and packed, causing issues with lighting, ventilation, and privacy. A key strategy in our design is to set the house back by one meter. By doing so, more light can enter this space and provide enough room for wind to flow through, while also conveying a sense of goodwill, fostering a more harmonious, tolerant, and respectful neighbourhood.


As the owner has a desire to contribute to his hometown after being successful, this house is imbued with a social attribute, serving a social function. The first and second floors are public spaces for a library that is open to the public, while the upper floors are private living areas, each with its own separate paths. A three-dimensional courtyard is incorporated into the design, allowing people to experience both horizontal and vertical courtyard relationships from any point within the space. Light and air are flowing in the courtyard while people live, read, and interact.

 

The core of the design is humanistic, fulfilling functional needs, socially meaningful, and with the correct value orientation. Creativity, in terms of design, should exist like Pinang —an outer layer, subtle yet essential. We can see the thoughtful expressions of children while listening to lectures, and also see their smiling faces in the library. In the future, many public cultural activities will take place in the public spaces on the first and second floors, planting the seeds of thought.